For Iris Murdoch Day – an interview from The Paris Review on how she writes, why she writes, the process of thinking it up and what she thinks is the purpose of literature – fascinating to learn how she carefully plans the outline of the whole book before the actual writing begins. Pity her poor publisher’s nerves! She wrote long hand and only ever had one copy of her manuscript.
Here’s where IM talks about beginning to write a novel:
INTERVIEWER [Jeffrey Meyers]
Could you tell me a little bit about your own method of composition and how you go about writing a novel?
Well, I think it is important to make a detailed plan before you write the first sentence. Some people think one should write, George woke up and knew that something terrible had happened yesterday, and then see what happens. I plan the whole thing in detail before I begin. I have a general scheme and lots of notes. Every chapter is planned. Every conversation is planned. This is, of course, a primary stage, and very frightening because you’ve committed yourself at this point. I mean, a novel is a long job, and if you get it wrong at the start you’re going to be very unhappy later on. The second stage is that one should sit quietly and let the thing invent itself. One piece of imagination leads to another. You think about a certain situation and then some quite extraordinary aspect of it suddenly appears. The deep things that the work is about declare themselves and connect. Somehow things fly together and generate other things, and characters invent other characters, as if they were all doing it themselves. One should be patient and extend this period as far as possible. Of course, actually writing it involves a different kind of imagination and work.
Asked about her ‘ideal reader’, Murdoch say
Those who like a jolly good yarn are welcome and worthy readers. I suppose the idealreader is someone who likes a jolly good yarn and enjoys thinking about the book as well, thinking about the moral issues.
See – Iris Murdoch: The Art of Fiction, no. 117 in The Paris Review, Summer 1990, Issue 115
*See also the Centre for Iris Murdoch Studies at Kingston University, London
* BBC Interview – Murdoch discussing character and form, with superb close reading of An Unofficial Rose (1962)
You must be logged in to post a comment.