Quilt by Nicholas Royle (Myriad Editions)
[ – an open letter of appreciation -]
Dear Professor Royle
I’d like to apologise for not paying attention in class. Had I done so, I would be able to appreciate your debut novel, Quilt. It’s a story about death and grief and ghosts and Socrates and stingrays – I think. I find myself unable to review it or talk about it coherently, knowledgeably. I know I really enjoyed reading it – I love the playfulness and energy and above all, the serious purposefulness of the prose. The imagery made me laugh out loud and to nod in agreement at the connections you made. I’m sorry, but I can’t tell you why, I don’t have the language to properly express what is so good about this book or why I tell everyone I know that they must read it – it will change their view of literature, of story-telling, of writing.
You won’t remember me – one of eight that dwindled to six in your Wallace Stevens seminar in the spring (or was it autumn?) of 1995 (or was it 1994?) at Stirling. Ten weeks of intensive study of one American poet – what luxury now!; spoilt we were but we didn’t know it. We began in earnest we eight. After week one we started to loiter in the café for longer than the allotted ten minute break. It seemed to make sense to extend the time – to draw breath – for relief after the tortuous first hour. ‘What is this poem about – do you think?’ you asked – dropped it into the seminar where we looked at each other, the desk, out at the solitary tree in the courtyard, which now I can’t recall whether it was bare or in full leaf, anywhere; we looked, but at the page, at you. We worked together, we eight become six, to ‘get through’ our Wallace ‘bloody’ Stevens Honours course.
I can’t get back time once it’s gone, can I? Once glimpsed, once I recognised the peacock/poem [for he was a peacock, not a stingray] sliding around the corner – he came into full view, there, concrete and real – just that one time. The peacock/poem in full focus – bare, literal. And then the devastating truth – this reality was a lie! A trick of the individual imagination. There is no single meaning, you helped us to understand. We see the peacock/poem, but in our own image. That same moment re-run won’t bring the same peacock/poem back into focus. He is a ghost – or the past calling the future. Did he telephone ahead to tell us he was coming?
Uncanny, is poetry – as all language. I think.
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